A family tradition since 1974, Aryn Markee participates in the annual Miss Shrimp Princess Pageant. Hayley Anson documents the work that Markee puts into the competition.

Through creating works of art, Robert Saunders is able to find a way to heal himself of his bipolar disorder. Aida Curtis highlights how the art that Saunders creates allows him to relax, and how art allows him to work through his mental condition.

In Portland, Tate and Tyng Streets hold a history of displacement, change, and decay. Amanda Holmes vists people in the neighborhood to discuss why they still cling to Tate and Tyng.

Stephen Donahue documents a conversation between two girls, who talk about school friendship.

As women begin to enter into the blue collar working world in larger numbers, the old idea of women staying at home to raise a family is fading away. Valerie Coffin documents the lives of several women who work tough industry jobs and still raise their families, all playing vital roles in everyday life.

Adeline Violas discusses the culture of antique car restoration, speaking with collectors and restorers.

In towns of any size it is valuable to have a working fire department in case of emergencies. Amanda Cross discusses the daily lives of firefighters who work for the Acton Volunteer Fire Department and their experiences being firemen.

Prior to the release of The Salt Book, Pamela Wood speaks to readers about the contents of the book and the release parties.

A longtime friend of Monty Washburn, Mary Turner works and lives on a farm in West Peru. James Jannetti speaks to Turner about her life experiences.

Lisa Mattingly documents the work of Corey Perreault, a mother who uses Christmas decorations to deal with economic struggles. Mattingly speaks to Perreault about decorations and using them as a cleansing ritual.

Aracelis Girmay documents the life of Jeff Jellis, and how he deals with the reality of having the AIDS virus. Girmay discusses the Jellis' family life and the treatments that Jeff has to undergo.

Building boats since 1951, the artform comes naturally to Ralph Stanley. Dorothy O'Keefe speaks to Stanley about his work building boats.